Selected objects

  • Hin_0171_col_01_1_
  • _in_1262_col
  • _in_1185_col
  • In2432_vil_t_315
  • In_1664_bw
  • _in1060_t_0

White marble has generally been considered a typical image of antiquity. However, the lack of colour has no relation to ancient aesthetics. In fact, antiquity cultivated a veritable wealth of colours, but after centuries of deterioration, very little paint remains on the artefacts giving rise to the mistaken notion of white marble as a classical ideal.

Yet the knowledge that ancient art was polychrome does not mark the end of polychromy research. On the contrary: Now research of ancient polychromy can continue acquiring a more comprehensive and detailed knowledge of how the ancient world was coloured and why.

This website is dedicated to the research on the use of colour on sculptures and buildings in the ancient Mediterranean world carried out at the Ny Carlsberg Glyptotek. This research is highly interdisciplinary including scholars in archaeology, philology, conservation science, geology, geochemistry, chemistry, and physics.

On this website you will find a short introduction to the field as well as information about the project. But most importantly, the user has access to a database of artefacts in the collections of the Ny Carlsberg Glyptotek with traces of their original polychromy.

Read more here: About and follow the project on Facebook

Current project: Sensing the Ancient World: The Multiple Dimensions of Ancient Art

The Carlsberg Foundation has generously funded a new interdisciplinary research project entitled Sensing the Ancient World: The Multiple Dimensions of Ancient Art. The project is being led by Dr. Cecilie Brøns and will run until 2023. In collaboration with Danish and international partners, the project is undertaking thorough investigations of the polychromy of ancient artworks using multispectral techniques and different natural scientific analyses. In addition, the project includes further, often invisible dimensions of ancient art such as the effect of light and the embellishment with textiles, ornaments, and flowers. By including the often inaccessible dimensions of antiquity, the research project aims to achieve a new, more inclusive, holistic understanding of the art of antiquity, starting in the collections of the Ny Carlsberg Glyptotek.

For more information about the project, please click here