2017
C. Brøns, S. Hedegaard & M.-L. Sargent (2016) Painted Faces. Investigations of Polychromy of Etruscan Antefixes in the Ny Carlsberg Glyptotek, Etruscan Studies vol. 19.1, 2016.

2016
A. Skovmøller & R. H. Therkildsen (2016) The polychromy of Roman polished marble portraits, in P. Pensabene and E. Gasparini (eds.), ASMOSIA X. Proceedings of the Tenth International Conference. Interdisciplinary Studies on Stone vol. II. Rome, L’Erma di Bretschneider, 891-900.

2015
A. Skovmøller, C. Brøns & M.L. Sargent (2016) Egyptian blue: modern myths, ancient realities, Journal of Roman Archaeology vol. 29, 371-387.

2014
J.S. Østergaard & M.L. Sargent (2014), The Polychromy of a Female Late 2nd century CE Palmyrene Funerary Portrait, in Álvarez, J. M.; Nogales, T.; Rodà, I. (Eds.), XVIII CIAC: Centro y periferia en el mundo clásico / Centre and periphery in the ancient world (Mérida) 1231-1235.

A. Skovmøller (2014) Where Marble Meets Colour: surface texturing of hair, skin and dress on Roman marble portraits as support for painted polychromy, in M. Harlow and M.-L. Nosch (eds.), Interdisciplinary Studies in Textiles and Dress. An Interdisciplinary Anthology. Oxford, Oxbow Books, 279-297.

2013
J.S. Østergaard, (2013), Reflections on the Typology and Context of the Richmond Caligula, in: B. Frischer (ed.), Digital Sculpture project: Caligula (Richmond, Virginia). http://www.digitalsculpture.org/papers/ostergaard/ostergaard_paper.html

2011

2010
J.S. Østergaard, M. L. Sargent & R. H. Therkildsen (2014), The polychromy of Roman ‘ideal’ marble sculpture of the 2nd century CE, in: P. Liverani – U. Santamaria (eds.), Diversamente bianco. La policromia della scultura romana (Roma: Quasar) 51 – 69.

J.S. Østergaard (2010), The Copenhagen Polychromy Network. A Research Project on Ancient Greek and Roman Sculptural Polychromy in the Ny Carlsberg Glyptotek, in V. Brinkmann, O. Primavesi , M. Hollein (eds.), Circumlitio. The Polychromy of Antique and Mediaeval Sculpture (Munich: Hirmer Verlag) 324 – 335.