Bibliography 834 in total

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  • The role of stone in the polychrome treatment of Hellenistic sculpture

    • C. Blume
    • Tarragona
    • 2012
    • in: A: G. Garcia-M., P. Lapuente and I Rodà (eds.), Interdisciplinary Studies on Ancient Stone. Proceedings of the IX ASMOSIA Conference (Tarragona 2009), 754-762.

  • Production and characterization of Egyptian blue and Egyptian green frit

    • P. Bianchetti, F. Talarico, M. G. Vigliano and M.F. Ali
    • Journal of Cultural Heritage
    • 2000
    • in: Journal of Cultural Heritage 1, p. 179-188.

  • La porpora a Roma

    • L. Bessone
    • Venice
    • 1998
    • in: O. Longo (ed.), La Porpora: Realtà a Immaginario di un Colore Simbolico, 149-202.

  • Pigments used in Roman wall paintings in the Vesuvian area

    • I. Aliatis, D. Bersani, E. Campani, A. Casoli, P. P. Lottici, S. Mantovan and l.-G. Marino
    • Journal of Raman Spectroscopy
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    • in: Journal of Raman Spectroscopy 41, 1537-1542.

  • A Hellenistic Greek marble statue with ancient polychromy reported to be from Knidos

    • M. Abbe, G. E. Borromeo and S. Pike
    • Tarragona
    • 2012
    • in: A: G. Garcia-M., P. Lapuente and I. Rodà (eds.), Interdisciplinary Studies on Ancient Stone. Proceedings of the IX ASMOSIA Conference (Tarragona 2009), 763-770.

  • Polychromy

    • M. Abbe
    • Oxford
    • 2015
    • In: E. A. Friedland, M. G. Sobocinski and E. K. Gazda (eds.), The Oxford Handbook of Roman Sculpture, p. 173-188.

  • Polychromy of Roman Marble Sculpture

    • M.B. Abbe
    • New York
    • 2010
    • In: Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art. Read online.

  • The history of dyes and pigments: from natural dyes to high performance pigments

    • A. Abel
    • Cambridge
    • 2012
    • In: J. Best (ed.), Colour Design. Theories and applications.