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Encausto and ganosis: beeswax as paint and coating during the Roman Era and its applicability in modern art, craft and conservation
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- Göteborg studies in conservation
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in: Göteborg studies in conservation; vol. 9.
Read online abstract.
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Historical pigment research: The work of the Pigmentum Project.
- V. Walsh and N. Eastaugh
- InFocus Magazine
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in: InFocus Magazine: Proceedings of the Royal Microscopical Society, 2, pp. 38-57. Read online or download.
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Not a day without a line drawn: Pigments and painting techniques of Roman Artists.
- R. Siddall
- InFocus Magazine
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in: InFocus Magazine: Proceedings of the Royal Microscopical Society , 2, pp. 18 – 23. Read online or download.
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Naturwissenschaftliche Untersuchungen antiker Marmorstatuen aus Messene
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- Bern
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in: C. Reusser (ed.), Griechenland in der Kaiserzeit. Neue Funde und Forschungen zu Skulptur, Architektur und Topographie. Kolloquium zum sechzigsten Geburtstag von Prof. Dietrich Willers, Bern, 12. – 13. Juni 1998. Hefte des Archäologischen Seminars der Universität Bern. Beihefte, 4, pp. 21-28.
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Painted Ladies: Early Cycladic II Mourning Figures?
- G. Hoffman
- AJA
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in: American Journal of Archaeology, vol. 106, nr. 4, pp. 525-550. Online abstract and purchase.
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Ars Humanissima. Zur Ikonologie des Materials der römischen Plastik und Skulptur
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- Copenhagen
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in: Acta Hyperborea. Danish Studies in Classical Archaeology (ActaHyp) 4, pp. 173-195
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Es ist nicht Alles in Gold was glänzt. Vergoldete Statuen in Rom
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- Möhnesee
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in: H.v. Steuben (ed.) Antike Porträts. Zom Gedächtnis von Helga von Heintze, pp. 97-106
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Colour and Meaning in Ancient Rome
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- Cambridge
- 2009