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Patinated and painted bronzes: Exotic technique or ancient tradition?
- H. Born
- Malibu
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in: Small Bronze Sculpture from the Ancient World. Papers of the Symposium Malibu, March 16-19, 1989, pp. 284
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The piedmont white marbles used in antiquity: An archaeometric distinction inferred by a minero-petrographic and C-O stable isotope study
- A. Borghi, G. Vaggelli, C. Marcon and L. Fiora
- Archaeometry
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in: Archaeometry 51, pp. 913-931
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In search of Etruscan colours: A spectroscopic study of a painted terracotta slap from Ceri
- F. Bordignon, P. Postorine, P. Dore, G.F. Guidi, G. Trojsi and V. Bellelli
- Archaeometry
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in: Archaeometry 49, pp. 87-100.
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Η πολυχρωμία στον Παρθενωνα
- Χ. Βλασσοπούλου
- Αθήνα
- 2007
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in V. Brinkmann, R. Wünsche and N. Καλτσάς (eds.), Πολυχρωμοι Θεοι. Εθνικο Αρχαιολογικο Μουσειο, pp. 98-101
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The Herculaneum amazon. Sculptural polychromy, digital simulation and context
- G. Beale and G. Earl
- Oxford
- 2010
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in: A. Moore, G. Taylor, and E. Harris (eds.), TRAC 2009. Proceedings of the Nineteenth Annual Theoretical Roman Archaeology Conference, which took place at the University of Michigan, 3-5 April 2009, the University of Southampton, 17-28 April 2009, pp. 31-40
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Objekt, bemalet
- M. Bogh
- København
- 1999
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in: Farvefænomener. Bemalinger i dansk skulptur 1947-1998. Charlottenborg 17.7.-29.8., 1999, pp. 8-33
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In living colour. A short history of colour in sculpture in the 19th century
- A. Blühm
- Zwolle
- 1996
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in: A. Blühm (ed.), The Colour of Sculpture 1840-1910. Exh. Cat. Van Gogh Museum, Amsterdam, and Henry Moore Inst., Leeds, pp. 11-60
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The Colour of Sculpture 1840-1910. Exh. Cat. Van Gogh Museum, Amsterdam, and Henry Moore Inst., Leeds
- A. Blühm (ed.)
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- 1996
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Reviewed by: F. Scholten, F., in: Simiolus: Netherlands Quarterly for the History of Art 25, 2/3 (1997), pp. 252-255